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NY ESSENTIALS : ARTE EN MARZO

Wednesday, February 29, 2012 , Posted by LATINO EVENTS Y TESPIS MAGAZINE at 8:55 PM

El Instituto Cervantes presenta el fotoperiodista español Jordi Socias mientras que el escultor venezolano Rafaél Barrios estará en la Park Avenue. Alexander Arrechea se presenta en la Magnan Metz de Chelsea y Sorolla termina en el Reina Sofía. El influyente artista venezolano Jesús Soto y el mexicano Diego Rivera continúan y se añaden, la Bienal del Whitney y la esperada muestra de Cindy Sherman en el Moma. El Museo del Barrio continúa con Testimonios y Gran Caribe. Y hay más:



* MAREMAGNUM > By Jordi Socias > One of the key names in the evolution of photojournalism in Spain >  Hasta Marzo 23 >> Instituto Cervantes.

Autor/es: (c) Jordi Socías

* Rafael Barrios on Park Avenue. Nine monumental sculptures by this Venezuelan artist >> March 1 - June 30.

Rafael Barrios, Rendering of Acrobática at 53rd Street, courtesy of the artist.
From 51st Street to 67th Street, Park Avenue Malls, Manhattan. Artist Alexander Arrechea will be also on display during springtime.


* Ferias de Arte en Nueva York > Marzo 8 al 11 > The Armory Show, Volta NY y Scope NY >  ART FAIRS. 
* Kandinsky at the Bauhaus, 1922-1933 > In 1922 Vasily Kandinsky (b. 1866, Moscow; d. 1944, Neuilly-sur-Seine, France) accepted a teaching position at the Bauhaus, the state-sponsored Weimar school of art and applied design founded in 1919 by architect Walter Gropius.

Vasily Kandinsky, Decisive Rose (Entscheidendes Rosa), March 1932 (detail). Oil on canvas, 81 x 100 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection 49.1178

The school’s curriculum was based on the principle that the crafts were equal to the traditional arts and was organized according to a medieval-style guild system of training under the tutelage of masters. Kandinsky conducted the Wall Painting Workshop and Preliminary Course and taught at all three of the school’s sequential locations in Weimar, Dessau, and Berlin until 1933, when the Bauhaus was closed due to pressure from the National Socialist (Nazi) government.

 * Also at the Guggenheim: John Chamberlain: Choices and Francesca Woodman.
Francesca Woodman, Polka Dots, Providence, Rhode Island, 1976. Gelatin silver print, 13.3 x 13.3 cm. Courtesy George and Betty Woodman. © 2012 George and Betty Woodman

* Whitney Biennial 2012 March 1–May 27 > Sculpture, painting, installations, and photography—as well as dance, theater, music, and film > Whitney Museum.


 
* Cindy Sherman > The exhibition will explore dominant themes throughout Sherman’s career, including artifice and fiction; cinema and performance; horror and the grotesque; myth, carnival, and fairy tale; and gender and class identity. 

Cindy Sherman. Untitled #466. 2008. Chromogenic color print, 8′ 6″ x 70″ (259.1 x 177.8 cm). The Museum of Modern Art, New York. Acquired through the generosity of Robert B. Menschel in honor of Jerry I. Speyer. © 2012 Cindy Sherman

Also included are Sherman’s recent photographic murals (2010), which will have their American premiere at MoMA. February 26–June 1 > MoMa.

* Supports / ALUMINIUMS > David Rodríguez Caballero > Ends March 24 > Marlborough Chelsea > SUPPORTS.

Image: David Rodríguez Caballero. 12. enero. 2010 | Aluminio | 117x440x90 cm

The exhibit spotlights new artworks in aluminum and vynil of this Spanish artist. David Rodríguez Caballero (whose work is framed within the Geometric Abstraction) has lately achieved great success in the international fairs Armory Show and Art Basel Miami. In parallel to the Chelsea show, The Würth Museum in Spain is celebrating his most comprenhensive exhibition until today. Supports explores the essence and performance of the mentioned materials and how light interacts with them. Marlborough Chelsea will provide the chance to see (in a  privileged environment) the most recent artworks of this solid artist. 

* Night Falls > The collaborative work of Walter Martin & Paloma Muñoz > Ends March 10 > PPOW.


In the Doldrums 2010-11, C-Print on Fujicolor Crystal Archival Paper, 48 x 60 inches, edition of 6
Martin & Muñoz are an art team best known for their "Travelers" series of snow globes and photographs. In the world that they have developed, blizzard transformed landscapes often serve as backdrops for enigmatic narratives.

* Soto: Paris and Beyond. 1950 – 1970  > Enero 10 - Marzo 31 >> Grey Art Gallery, NYU >> SOTO.


Comprised of some 50 works, Soto: Paris and Beyond, 1950–1970 is the first largescale exhibition dedicated to this major Venezuelan artist to be held at a New York institution in more than 35 years. Featuring works produced after Jesús Rafael Soto's move to Paris, the show highlights his visionary investigations into notions of movement, displacement, and instability. Drawing inspiration from optics, color theory, and phenomenology, Soto (1923–2005) developed a radically new relationship between the artwork and the viewer. The exhibition also explores reciprocal influences between Soto and other members of the Parisian avant-garde—such as Yves Klein and Jean Tinguely. 

* Joaquín Sorolla and the Glory of Spanish Dress > Hasta Marzo 10 >> Queen Sofía Spanish Institute.

Joaquín Sorolla. FLAMENCO DANCER, 1914. Cortesía Museo Sorolla, Madrid

A seminal exhibition analyzing the rich history of Spain’s regional clothing styles through the monumental paintings of Valencian artist Joaquín Sorolla y Bastida (1863–1923). For the first time, Sorolla’s vivid depictions of Spanish life will be shown side by side with the types of costumes they portray.


* TESTIMONIOS: 100 Years of Popular Expression > Hasta Mayo 6 > Testimonios examines potent works by non-traditionally trained makers. > El Museo del Barrio.

Ejlat Feuer, Street Scene (detail), color photograph, 1990s Collection El Museo del Barrio, NY

* VOCES Y VISIONES: Gran Caribe > Hasta Diciembre 9 El Museo Del Barrio.

Francisco Oller y Cestero (Puerto Rican, 1833-1917) Platanos Amarillos (detail), ca. 1892-93 Oil on wood panel Gift of Joseph and Carmen Ana Unanue 2009.32
This exhibition features works that explore the vast diversity and complexity of the Caribbean basin, as an accompaniment to El Museo’s upcoming exhibition, Caribbean: Crossroads of the World, presented in collaboration with Studio Museum in Harlem and Queens Museum of Art.



* Abstract Universe > Carol Brown Goldberg > Hasta Mayo 8 > The Gabarron Foundation - Carriage House Center for the Arts> ABSTRACT.

Photo credit: Carol Brown Goldberg, "After Valladolid", 2009. Detail
"Abstract Universe" is an exhibition of large-scale pulverized glass and acrylic paintings by Carol Brown Goldberg. The exhibition is curated by Donald Kuspit, distinguished scholar and art critic, who describes this selection of Goldberg's work as "Baroque Color Field painting" that has been inspired by the artist's reflection on the Creation. The artist states that "In my art, I create a system, a layering, that allows me to get into a flow of timelessness, and the repetition of shapes and forms compound the meditative process. I am in awe at the alchemy of paint, and how fluid can be harnessed to create images that transport us into a realm of mystery." 

* Alexander Arrechea >> TWISTED HORIZON >> Marzo 1 - Abril 7 >> Magnan Metz Gallery. 




* Diego Rivera: Murals for The Museum of Modern Art > Hasta Mayo 14 >> MOMA.

Diego Rivera. Indian Warrior. 1931. Fresco on reinforced cement in a metal framework, 41 x 52 ½” (104.14 x 133.35 cm). Smith College Museum of Art, Northampton, Massachusetts. Purchased with the Winthrop Hillyer Fund SC 1934:8-1. © 2011 Banco de México Diego Rivera & Frida Kahlo Museums Trust, México, D.F./Artists Rights Society (ARS), New York

In December 1931, two years after its founding, The Museum of Modern Art inaugurated a major exhibition of work by the Mexican artist Diego Rivera. Only the second retrospective presented at the young Museum, the show was wildly popular, breaking attendance records in its five-week run. Rivera’s international celebrity was based on his fame as a muralist, but murals—by definition made and fixed on site—were impossible to transport. To solve this problem, MoMA brought the artist to New York from Mexico six weeks before the opening and provided him with makeshift studio space in an empty gallery. Working around the clock with three assistants, Rivera produced five “portable murals”—freestanding frescoes with bold images commemorating events in Mexican history. After the opening, to great publicity, Rivera added three more murals, now taking on New York subjects through monumental images of the urban working class and the social stratification of the city during the Great Depression. All eight were on display for the rest of the show’s run.

* Félix Candela 1910 - 2010 > Hasta Marzo 31 > Wallach Art Gallery Columbia University > CANDELA.


Félix Candela is regarded as one the greatest Spanish architects of the 20th century. He is celebrated for his feats of architectural engineering that transform concrete into visual poetry with his structural design based on hyperbolic paraboloid geometric form. His work with thin-shell concrete roof structures broke barriers between architecture and engineering that opened the way for other architects such as Santiago Calatrava.
His works are located in Mexico, the United Status, Spain, Venezuela, Colombia, Peru, Guatemala, Puerto Rico, Ecuador, Great Britain and Norway. His commitment to making economic, long-lasting, beautiful works made him the precursor of sustainable architecture. 

* "Think Green","Pensar en verde" de Mónica Sarmiento Castillo > Art Inspired by Nature > Great Neck Arts Center > Hasta Mayo 31 > GREEN.

Image: Mónica Sarmiento, 3 Palmeras y circular, 2011, 40x40cm, mixta sobre madera
 Mónica Sarmiento Castillo's distinctive chromatic and constructivist structuring works are shown in prestigious exhibitions around the world. The focal point of her work is the exploration of nature in painting, sculpture, collage, drawing, and glass as viewed through the pre-Columbian Civilizations. Forests weave together the essence of creation and form the basis of her inspiration, reflecting an arboreal theme.

* Pedro Terán: Works from the 70's / Eduardo Costa: Volumetric Paintings > Febrero 2 - Marzo 17 > Henrique Faria Fine Art > TERAN/COSTA





* Of Dreams and Hurricanes: Maria Berrio and Frances Gallardo >> febrero 9 - Marzo 17 >> Praxis Art.



* PS3* Pedro Sanchez3 : On the Outer Edge > Hasta Marzo 17 > Abrons Arts Center > PS3.


* content > Solo Exhibition: Andrés Michelena > February 23 - March 15 >> One Art Space.



A metalinguistic proposal that explores the possible limits of perception and the assimilation of the artistic fact through what could be defined as visual haikus, or even visual koans. 

* Fiction/Nonfiction > Works by Rafael Ferrer > Group show > March 16 - April 21 > Adam Baumgold Gallery > FERRER.

* Tibetan Tapestries: Dream Weaves from the Himalayas > Diseños del colombiano José Sanint > Hasta Abril 18 .
 

* Luis Burgos > Back to NY > Ends March 26 > Spanish Center - "LA NACIONAL" > BURGOS.

This is a solo show by this Spanish painter from La Rioja well known for his figures. It is their gaze, where he concentrates all the expressions of his feelings, establishing one unavoidable dialogue with those who contemplate his work. That connection is so strong that, sometimes, the spectator is surprised by its depth, as the figures end up undressing their feelings.  
 

OUTSIDE OF NYC:

* The Art of the Ancient Americas > Hasta Mayo 20 > Walters Museum of Baltimore > AMERICAS.



An exhibition of 135 artworks from cultures that rose and fell in Mexico, Central America and Andean South America from 1200 BCE–1530 CE. Drawn from the collection of John Bourne recently gifted to the Walters, this exhibition, on view February 12–May 20, 2012, expresses each culture’s distinctive aesthetics, worldview and spiritual ideologies.
Exploring Art of the Ancient Americas touches on the performative nature of politics and religion—performance being a key mechanism for strengthening bonds of community and religious belief. The exhibition features the imaginative musical instruments used during these events and emotive portrayals of performers—from kings to commoners.


* FRIDA KALHO: HER PHOTOS > HASTA MARZO 25 > Artisphere > Rosslyn > Arlington, Virginia > FRIDA.




Mexican artist Frida Kahlo (1907-1954)’s extraordinary life and iconic biographical paintings have earned her international renown in the world of modern art. Upon Kahlo’s death in 1954, more than 6,500 personal photographs and items belonging to her and husband/artist Diego Rivera were sealed and put in storage.  For more than half a century this great collection of personal memorabilia remained hidden from the public.  In 2007 this collection was opened and Mexican photographer and curator Pablo Ortiz Monasterio inventoried and catalogued 240 images to create the Frida Kahlo: Her Photos exhibition.





  


 




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